"Kristian" by Elizabeth Peyton is a striking original lithograph printed on 300 gr. Velin d'arches paper. This artwork is signed and numbered out of 50 in pencil by Peyton.
In "Kristian," Peyton captures the essence of her subject with her characteristic sensitivity and emotive brushwork. This portrait reflects Peyton's ability to convey a sense of intimacy and personal connection, drawing viewers into the emotional depth of the artwork. The limited edition and Peyton's signature add a level of exclusivity and value to this lithograph, highlighting Peyton's mastery in portraiture and her unique approach to depicting human emotion through the medium of lithography.

"Flower after Moreau" by Elizabeth Peyton is a captivating original lithograph printed on 300 gr. Velin d'arches paper. This artwork is signed and numbered out of 60 in pencil by Peyton.

Peyton's "Flower after Moreau" pays homage to the French Symbolist painter Gustave Moreau, known for his lush and dreamlike compositions. In this lithograph, Peyton reinterprets Moreau's aesthetic through her distinctive style, characterized by delicate brushwork and emotional depth. The limited edition and Peyton's signature enhance the collectibility of this piece, showcasing Peyton's skill in blending art historical references with her own artistic vision in the medium of lithography.

The artwork described is an offset lithograph and screenprint in colors on wove paper by Larry Rivers. Hand-signed and numbered "H.C. 9/12," indicating it as one of twelve hors commerce (not for sale) prints aside from the regular edition. The term "H.C." stands for "Hors de Commerce," typically used for prints intended for the artist, publisher, or other special purposes. Additionally, there are some markings on the verso from being previously adhered to a Museum Board, suggesting its prior display or mounting.
The combination of offset lithography and screenprinting techniques allows for vibrant colors and precise details, enhancing the visual impact of the artwork. Larry Rivers, known for his eclectic and innovative approach to art, likely employed these techniques to create a dynamic and visually engaging composition.
Overall, this hand-signed and numbered print by Larry Rivers, with its unique edition status and technical execution, holds both artistic and collectible value.

"Orange Tondo" by Ilya Bolotowsky is a quintessential example of geometric abstraction, featuring a bold circular composition dominated by vibrant orange hues and precise geometric shapes. Created in 1973 and limited to 125 editions, this serigraph captures Bolotowsky's pursuit of order and balance through minimalist design and striking color contrast. It stands as a testament to Bolotowsky's influential role in American abstract art and remains a cherished piece among collectors for its artistic and historical significance.
The term "Tondo" refers to a circular piece of art, and "Orange Tondo" is a perfect example of Bolotowsky’s use of this format to create a harmonious and balanced composition. The circular shape directs the viewer’s focus inward, emphasizing the interplay of geometric forms and colors.

This exquisite limited edition serigraph by renowned artist Gilbert Roff is a celebration of vibrant color and intricate detail, reflecting the artist’s unique ability to capture movement and emotion on paper. Each print is hand-signed and numbered out of a total edition of 144, ensuring its exclusivity and collector's value.
The printing process was handled by Charles Cardinale at Serigraph Fine Creations Inc., a studio renowned for its high-quality printmaking. Cardinale's expertise ensures that each print is produced to the highest standards, capturing the essence of Roff's original vision.

Poster for Monchehaus-Museum Goslar in 1982. Hand signed in black marker by Sherman.

This etching, titled Mickey's Dining Car, is a mezzotint by John Baeder, hand-signed and numbered in pencil out of an edition of 200. Known for his dedication to American roadside culture, Baeder captures the nostalgic charm of this iconic diner with remarkable detail and depth. The mezzotint technique enhances the rich textures and shadows, emphasizing the diner’s character and inviting viewers to experience a moment in American history preserved through Baeder’s Photorealist style. This piece exemplifies Baeder's commitment to documenting the spirit of Americana.
Mickey's Dining Car is located in Saint Paul, Minnesota. This iconic diner, built in the 1930s, is known for its classic Art Deco design and has become a beloved symbol of American roadside culture.

This limited edition print by Claude Weisbuch, titled Two Horsemen, depicts two horsemen performing equestrian movements in an arena. With light, dynamic strokes, Weisbuch captures the energy and motion, evoking a sense of air flowing between the two horses. Printed in 1985, this piece is delicately colored and hand-signed by the artist, from an edition of 125.
Published by Éditions Michèle Broutta and printed at Mourlot in Paris.

This 1981 silkscreen by Max Papart exemplifies his skill in merging abstract and figurative elements into a dynamic composition. Hand-signed and numbered out of 60, it is printed on heavy, textured paper, adding depth and a tactile feel. Vibrant colors and balanced forms create movement, capturing Papart's innovative, cubist-inspired style. Published by Éditions Galerie Matarasso in Nice, this print highlights his approach to blending traditional techniques with contemporary sensibilities.

This piece, titled Amelie Reclining by Itzchak Tarkay, is signed and numbered in pencil out of an edition of 350. It is framed in a gold wood molding with a 1.75-inch face and 1.25-inch side profile, complete with matting and plexiglass. The overall dimensions are 23.25" x 23.25". Published by Park West Gallery, which popularized Tarkay’s work globally, this piece reflects his vibrant style, with additional distribution by Yosi Gol Art Gallery and Israel Export Co.

A wonderful Spider Web by Vija Celmins, commissioned as part of Lincoln Center’s 50th Anniversary celebration. Ms. Celmins recently received an award from the International Print Center in New York for her outstanding artistic contribution in this field. Retrospectives of her work have traveled to the Whitney Museum of American Art, the Walker Art Center, and The Museum of Contemporary Art in Los Angeles. Her works are in the Permanent Collections of the Metropolitan Museum of Art and the Museum of Modern Art along with many other distinguished museums.

“Beach Scene with Poodle” by Eric Fischl is a captivating limited edition print that captures the essence of a leisurely day at the beach through the artist's distinctive narrative style. This piece is signed and labeled “B.A.T.” (Bon à Tirer) in pencil by Fischl, indicating it as the artist's approved final proof before the full edition was printed.
In this evocative scene, Fischl masterfully depicts a tranquil beach setting where a poodle becomes a central figure. The poodle, poised and elegant, contrasts with the sprawling expanse of sand and sea. The dog's presence adds a touch of whimsy and sophistication to the otherwise serene landscape.

Fischl’s attention to detail is evident in the way he captures the texture of the sand, the gentle movement of the waves, and the subtle play of light on the water. The beach, with its calm and inviting atmosphere, serves as the perfect backdrop for this engaging narrative. The color palette is both soothing and vibrant, with shades of blue and beige dominating the scene, highlighting the warmth of the sunlit day.

This serigraph, part of a set of 5 screenprints with flocking by Donald Sultan, is a stunning example of his masterful technique and thematic depth. Published by Lococo Fine Art, the portfolio includes the following prints: Red Poppies I, Red & Black Poppies I, Black Poppies, Red Poppies II, and Red & Black Poppies II. This particular print is numbered H.C. 3 out of 5 in pencil in the bottom right corner, indicating it is one of the hors commerce proofs.

Donald Sultan reflects on the series, stating, "The images... are really about the architecture in the paintings; they seem so massive and strong and permanent but nothing is permanent. The image in the front is very fragile, but it conveys the loaded meaning of everything that is contained in the painting."

This striking silkscreen print by Cecily Brown, created for The American Dance Festival in 2001, captures a couple dancing center stage, surrounded by an abstracted, energetic room. Though the figures and crowd are rendered in Brown's signature abstract style, the sense of movement and vibrancy fills the scene. Signed and numbered in pencil out of an edition of 100, the piece exemplifies Brown's bold and complex approach, blending figuration and abstraction to evoke the rhythms of dance. Her work pushes the boundaries of contemporary painting, bridging emotion and movement through her vibrant interplay of color, form, and gesture, solidifying her influence on the abstract movement.

This original print captures the festival's energy and grace, reflecting Brown's dynamic approach. It represents a valuable piece for collectors, showcasing her significant contributions to abstract art and her innovative blending of gestural abstraction with modern sensibility.

This signed and numbered print by Bill Komoski was created for the benefit of the Lincoln Center in 1987. Known for his intricate and vibrant abstract compositions, Komoski’s work in this piece exemplifies his dynamic use of color and form. The print is part of a limited edition, adding to its exclusivity and value.

Komoski’s contribution to the Lincoln Center underscores his support for the arts and reflects the institution’s commitment to promoting contemporary artists. This print is not only a testament to Komoski's artistic talent but also serves as a significant piece of cultural history, representing a collaboration between an influential artist and a major cultural institution.

This first-release serigraph by Will Barnet, titled "Reflection," is a captivating example of his artistic vision. James Thomas Flexner aptly described Barnet’s work as a profound exploration of the interplay between the personal and the universal. Despite its representational quality, the serigraph's simple elegance and the flat surfaces of the figures reveal Barnet’s nuanced approach to abstraction. This piece embodies a delicate balance between recognizable forms and abstract simplicity, making it a striking addition to any collection. Published by Associated American Artists (AAA) based in NYC known for producing and distributing high-quality prints by prominent American artists.

This limited edition print titled Barn and Forsythia III by renowned artist Wolf Kahn was printed by Brand X on Somerset Textured Rag paper and published by the Lincoln Center for the Performing Arts in New York City in 2003. This particular piece is signed by the artist and numbered as AP 16 out of 18 in pencil at the lower right-hand side, adding a layer of exclusivity and provenance to the artwork.
Kahn’s work often explores themes of nature, light, and color. In Barn and Forsythia III, he uses the contrasting hues of the barn and forsythia to create a dynamic yet harmonious composition. The textured quality of the Somerset Rag paper enhances the depth and richness of the colors, making the print visually striking and engaging.

This limited edition print, titled Young Man with a Dove, was created by Aaron Esler in 1985. It is part of a limited edition of only 100 prints, each hand-signed and numbered by the artist, making it a highly collectible piece.

The artwork is framed in an elegant ornamented gold wood frame, enhancing its visual appeal and providing a classic touch that complements the piece. The print depicts a young man gently holding a dove, symbolizing peace, innocence, and harmony. Esler’s use of delicate lines and soft colors brings a sense of calm and serenity to the composition.

The significance of Young Man with a Dove lies in its timeless theme and Esler’s ability to capture the essence of tranquility and purity. The dove, often associated with peace and love, adds a layer of symbolism that resonates with viewers, making the artwork both visually and emotionally compelling.

Limited edition print Lowell Nesbitt created for the Lincoln Center for the Performing Arts in 1978.

This limited edition print, titled Community Holiday Festival, is a vibrant and dynamic work by the renowned artist Nancy Graves. Signed and numbered out of 144 in pencil, this piece was created to commemorate the Community Holiday Festival at the Lincoln Center for the Performing Arts. Graves, known for her innovative and eclectic style, brings a festive and lively spirit to this print, capturing the essence of the holiday celebration.

This signed and numbered self-portrait by acclaimed artist Chuck Close is a striking piece created to benefit the Lincoln Center for the Performing Arts in New York. Known for his meticulous attention to detail and innovative approach to portraiture, Close’s work has profoundly influenced contemporary art, and this print exemplifies his distinctive style.

The artwork features vibrant colors and intricate patterns, showcasing Close's mastery in combining lithography and screen printing techniques on high-quality Somerset paper, recognized for its durability and texture. The piece includes full margins, enhancing the visual impact and allowing viewers to fully appreciate the complexity of the composition.

With an edition strictly limited to 118 prints and 18 artist’s proofs, this work is both exclusive and highly collectible. Unframed, it provides the buyer with the flexibility to choose a framing style that best fits their personal aesthetic. As a signed and numbered edition, this self-portrait stands as a testament to Chuck Close’s artistic brilliance and is a valuable addition to any serious art collection.

"Meandering Forms" is a first release lithograph by Le Corbusier, dated 1963. This unsigned and unnumbered piece was printed on Arches paper by Mourlot in Paris, serving as a pre-press proof for the color and placement of the image on the paper. This lithograph reflects Le Corbusier's innovative artistic vision and his strong connection to architectural principles.

The artwork showcases his characteristic style, blending artistic expression with functional design elements. The combination of the high-quality Arches paper and the meticulous printing process at Mourlot highlights the craftsmanship behind this lithograph.