The 1981 Roland Garros poster by Eduardo Arroyo, a Spanish artist known for his figurative and often politically charged works, is a landmark piece in the series of artist-designed posters for the French Open. This limited edition print is hand-signed and numbered HC (Hors Commerce), making it particularly rare and valuable. The poster is historically significant as it captures a key moment in tennis history, featuring a depiction of the back of a tennis player’s head, inspired by the legendary Björn Borg.

The 2010 Roland Garros poster by Nalini Malani is a vibrant and dynamic work that captures the energy and cultural richness of the French Open through bold colors and abstract forms. The signed edition on high quality paper offers a unique and valuable collector’s item, reflecting Malani’s distinctive artistic vision and her ability to convey the complexity and vibrancy of Roland Garros.

This limited-edition 1999 French Open print, signed, dated, and numbered out of 75 in pencil by the renowned artist Antonio Segui, is a distinguished piece of art and memorabilia. The poster vividly captures the dynamic energy of the iconic tennis tournament with Segui's signature flair. His unique artistic vision brings a fresh perspective to the vibrant atmosphere of the French Open, making this piece a rare and collectible item. The careful pencil signatures and numbering add a personal touch and authenticate its exclusivity, ensuring its place as a prized item for both art collectors and tennis enthusiasts.

The 1981 Roland Garros poster by Jacques Monory is a vibrant and cinematic work that captures the energy and spectacle of the French Open through bold colors and dynamic forms. The signed edition of this poster, limited to 150 copies, offers a unique and valuable collector’s item, reflecting Monory’s distinctive artistic vision and his ability to convey the excitement and glamour of Roland Garros. This poster stands out in the Roland Garros series for its unique and engaging interpretation, making it a significant and memorable piece.

The 1982 Roland Garros poster by Jean-Michel Folon is a significant work by the Belgian artist, known for his evocative and poetic imagery. This particular edition is a signed etching, limited to 90 copies, making it a rare and valuable collector’s item. Folon’s work is celebrated for its dreamlike quality, and this poster exemplifies his unique artistic vision.
Jean-Michel Folon’s poster for the 1982 Roland Garros tournament features imagery that is both dreamlike and poetic. The artwork likely includes Folon’s signature use of soft gradients and surreal elements, such as floating figures or objects that convey a sense of wonder and contemplation. This approach reflects Folon’s ability to create scenes that are both introspective and universal, capturing the essence of the human experience through abstract and imaginative forms​

The 1986 Roland Garros poster by Jiří Kolář, a Czech artist known for his innovative collage techniques, presents a unique and avant-garde interpretation of the French Open. Kolář’s work often involves the deconstruction and reassembly of printed materials to create intricate and thought-provoking compositions. This poster is a testament to his distinctive approach and artistic vision.

The 2014 Roland Garros poster by Juan Uslé, a renowned Spanish contemporary artist known for his abstract and lyrical works, offers a compelling and expressive interpretation of the French Open. Uslé's work is characterized by its use of rhythmic patterns, vibrant colors, and a meditative approach to abstraction. The signed edition of this poster adds significant value and authenticity, making it a cherished piece for collectors.

This official print, designed and created by British sculptor David Nash, was commissioned for the 2013 French Open tennis tournament held annually at Roland Garros. Known for his work with natural materials and organic forms, Nash brings a unique and earthy interpretation to the iconic event with this artwork.

The print is part of a limited edition of 90 prints. Nash’s signature adds a personal touch, making each piece a valuable collector’s item. The design reflects Nash’s distinctive style, emphasizing natural elements and textures that resonate with his broader body of work.

The 2013 Roland Garros edition is not only a celebration of the prestigious tennis tournament but also a testament to Nash's artistic vision.

Signed, Numbered HC out of 50, and Dated in pencil by Velickovic.
The Roland Garros French Open tournament has recruited notable artists since 1981 - when Eduardo Arroyo created series of pictures that remains the favorite for many. These posters have not only always been more artistic than those of the US and Australian Open, but have also always expressed a more creative, quirky, eccentric and outlandish take on the event.

Numbering is in Roman Numerals.

The 2017 Roland Garros poster by Vik Muniz is a dynamic and innovative work that captures the energy and significance of the French Open through the creative use of materials and photographic representation. Muniz’s approach transforms everyday objects into a compelling visual narrative that challenges perceptions and invites deeper engagement. This poster stands out in the Roland Garros series for its unique and thought-provoking interpretation, reflecting Muniz’s distinctive artistic vision and his ability to convey the transformative nature of sport through art.

The 2016 Roland Garros print by Marc Desgrandchamps, a distinguished French contemporary artist, offers a contemplative and abstract interpretation of the French Open. Desgrandchamps is known for his ethereal and enigmatic paintings that often blend figuration with abstraction, creating dreamlike compositions. The signed edition enhances its value, offering collectors a personal connection to the artist. Numbered out of 80.

Official poster designed and created for the tennis tournament held at Roland Garros French Open every year. The poster is a limited edition of 2000. First edition, unsigned and not numbered.
The 1988 Roland Garros poster by Pierre Alechinsky, a Belgian artist and a prominent member of the CoBrA movement, provides a vibrant and expressive interpretation of the French Open. Alechinsky's work is characterized by its fluid, dynamic lines and imaginative use of color, often incorporating elements of calligraphy and abstract forms to create compelling visual narratives.
Alechinsky’s use of vivid colors is a hallmark of his style, and it is evident in the poster. The color palette may include bright reds, blues, and yellows, which create a lively and energetic atmosphere. These colors are not only visually striking but also evoke the vibrancy of the Roland Garros event, capturing the excitement and intensity of the matches. The interplay of bold colors enhances the sense of movement and vitality in the composition

Monory, a prominent French painter associated with the Narrative Figuration movement, is known for his cinematic and often surreal imagery, characterized by the use of monochrome and intense primary colors. The print is numbered out of 150 and signed in crayon, adding a unique touch that enhances its value and authenticity for collectors.
Monory’s design for the 1985 Roland Garros tournament prominently features the three primary colors—red, blue, and yellow—applied vigorously from top to bottom. This choice of colors creates a visually striking effect, emphasizing the vibrancy and energy of the French Open. The bold use of primary colors also reflects Monory’s characteristic style, which often includes high-contrast and saturated hues to evoke strong visual and emotional responses​.

The 1990 Roland Garros poster by Claude Garache is an elegant and minimalist work that captures the essence of the French Open through refined lines and a subtle color palette. The signed and numbered edition of this poster offers a unique and valuable collector’s item, reflecting Garache’s distinctive artistic vision and his ability to convey the elegance and grace of Roland Garros. This poster stands out in the Roland Garros series for its unique and sophisticated interpretation, making it a significant and memorable piece.

The 2010 Roland Garros poster by Nalini Malani, an esteemed Indian contemporary artist known for her multimedia installations and critical engagement with social and political themes, offers a unique and thought-provoking interpretation of the French Open. Malani’s work often explores themes of memory, trauma, and social justice, which are reflected in her intricate and layered compositions.

Official event poster designed and created for the tennis tournament held at Roland Garros in 1990.

The 2015 Roland Garros print by Du Zhenjun is a dynamic and modern work that captures the energy and excitement of the French Open through bold colors and abstract forms. The signed edition offers a unique and valuable collector’s item, reflecting Du’s distinctive artistic vision and his ability to convey the intensity and vibrancy of Roland Garros. This print stands out in the Roland Garros series for its unique and engaging interpretation, making it a significant and memorable piece.

Official poster designed and created for the French Open tennis tournament held at Roland Garros every year. The poster is a limited edition of 1000.

Official poster designed and created for the tennis tournament held at Roland Garros French Open every year. The poster is a limited edition of 2000. First edition, unsigned and not numbered.

French Open poster

The 2007 Roland Garros poster by Kate Shepherd, an American artist known for her precise and intricate line work and use of bold color fields, brings a distinctive and modern touch to the Roland Garros series. Shepherd’s work often explores architectural forms and the interplay between line and color, which is evident in her interpretation for this prestigious tennis tournament.
Shepherd’s use of bold, flat color fields adds a vibrant and modern aesthetic to the poster. The colors are likely chosen to evoke the iconic red clay of the Roland Garros courts, complemented by contrasting hues that enhance the geometric shapes and create a sense of depth and movement. This approach brings a contemporary and fresh perspective to the event, setting it apart from more traditional sports posters​.

The 2009 Roland Garros poster by Konrad Klapheck, a renowned German painter known for his precise and surreal depictions of everyday objects, offers a unique and thought-provoking perspective on the French Open. Klapheck’s work often combines elements of realism with surreal and metaphorical imagery, which is evident in his poster design for the tournament.
Klapheck is known for imbuing ordinary objects with symbolic meanings. The poster features tennis equipment like racquets balls, the court and a focus on the net dividing each player but rendered in a way that suggests deeper, metaphorical interpretations. For example, a tennis racquet might be depicted as a powerful, almost mechanical entity, reflecting the strength and precision required in the sport.​

The 2008 Roland Garros poster by Arnulf Rainer, an Austrian artist known for his radical and expressive art style, stands out for its bold and abstract approach. Rainer is renowned for his work in overpainting and abstraction, often characterized by intense and chaotic lines and vibrant colors. This poster reflects his distinctive style and brings a unique artistic interpretation to the prestigious tennis tournament.
Rainer's approach to the poster involves a chaotic yet controlled use of color, which adds vibrancy and a sense of urgency to the artwork. The layers of color and texture create a depth that invites viewers to engage with the piece on a deeper level, reflecting the complexities and emotions of the players on the court. The use of intense, contrasting colors emphasizes the drama and excitement of the French Open​ .

The 2003 Roland Garros poster by Jane Hammond, an American artist known for her eclectic and often whimsical works, is a distinctive piece that encapsulates the vibrancy and dynamism of the French Open through a rich tapestry of imagery and symbolism. Hammond’s background in mixed media and her unique approach to combining disparate elements are evident in this artwork, which stands out for its creativity and depth.
Hammond is known for her use of symbols and motifs, which often carry deeper meanings or references to broader cultural and historical contexts. In the Roland Garros poster, she incorporates symbols related to tennis, such as racquets and balls, alongside other imagery that evokes the spirit of the French Open and the city of Paris. This blend of iconography creates a rich narrative that invites viewers to explore the artwork's multiple layers of meaning​.

The 2005 Roland Garros poster by Jaume Plensa, a prominent Spanish artist known for his large-scale public sculptures and innovative use of text and light, offers a unique and contemplative interpretation of the French Open. Plensa’s work often explores themes of identity, human expression, and the intersection of physical and spiritual elements, which is reflected in his design for this prestigious tennis tournament.

As a respected figure in contemporary art, Günther Förg's contribution to the Roland Garros series holds significant value. His work is widely appreciated for its innovative approach to color and form, and the 2006 poster is a testament to his influence in the art world. Collectors value this piece for its unique interpretation of the Roland Garros event and its embodiment of Förg's minimalist aesthetic.

The 2000 Roland Garros poster by Antoni Tàpies, a prominent Catalan painter and sculptor, is a distinctive piece that reflects Tàpies’ signature abstract style and profound philosophical undertones. This poster, created for one of the most prestigious tennis tournaments in the world, blends the elegance and dynamism of the sport with Tàpies’ deep, contemplative artistic vision.
Tàpies' poster for the 2000 Roland Garros tournament features an abstract composition that utilizes bold, textured brushstrokes and earthy tones. This aligns with Tàpies’ broader artistic practice, which often includes the use of unconventional materials and a focus on the tactile qualities of his work. The abstract nature of the poster encourages viewers to find their own interpretations, much like the open-ended outcomes of a tennis match.

The 2002 Roland Garros poster by Arman, a French-American artist renowned for his work with assemblage and his association with the Nouveau Réalisme movement, is a distinctive representation that merges the worlds of sports and contemporary art. The poster showcases Arman’s unique artistic vision, reflecting his penchant for incorporating everyday objects into his art, transformed into thought-provoking compositions.

Official poster designed and created for the tennis tournament held at Roland Garros French Open every year. The poster is a limited edition of 2000. First edition, unsigned and not numbered.
The 1994 Roland Garros poster by Ernest Pignon-Ernest captures the essence of the French Open through a powerful and evocative image. Pignon-Ernest, a renowned French artist known for his politically charged and humanistic approach, brought a unique perspective to the poster. The artwork features a dramatic representation of a tennis player in mid-action, with a dynamic and almost surreal background that reflects both the intensity of the sport and the iconic clay courts of Roland Garros.

The 1999 Roland Garros poster by Antonio Seguí, an Argentine artist renowned for his vibrant and often satirical work, is a lively and engaging piece that captures the dynamic spirit of the French Open. Seguí’s unique style, characterized by colorful, cartoon-like figures and bustling urban scenes, brings a playful and vibrant energy to the poster.
Seguí is known for his satirical approach, often infusing his work with humor and social commentary. The poster may include exaggerated and caricatured figures that add a layer of satire, reflecting the lively and sometimes chaotic nature of both urban life and the competitive atmosphere of Roland Garros. This approach invites viewers to see the event through a lens of humor and critical observation

The 2015 Roland Garros poster by Doze Niu (also known as Doze Zhenjun), a prominent Taiwanese filmmaker and artist, offers a unique and contemporary interpretation of the French Open. Known for his work in cinema as well as visual art, Doze brings a fresh perspective to the Roland Garros series with his blend of vibrant colors, dynamic composition, and cultural motifs.

Juan Uslé’s poster for the 2014 Roland Garros tournament features an abstract composition characterized by flowing lines and vibrant, overlapping colors. The artwork likely incorporates elements that evoke the dynamic and rhythmic nature of tennis, such as sweeping gestures and layered textures that suggest movement and energy. This approach reflects Uslé’s interest in creating visual experiences that resonate with emotion and intuition​.

David Nash’s poster for the 2013 Roland Garros tournament has been praised for its serene and natural design. The poster’s minimalist and organic style provides a unique and contemplative interpretation of the French Open, highlighting the tournament’s connection to the natural world. Nash’s ability to capture the essence of Roland Garros through his distinctive artistic lens has made the poster a significant and memorable part of the Roland Garros series​.

Hervé Di Rosa’s poster for the 2012 Roland Garros tournament has been praised for its vibrant and playful design. The poster's whimsical and colorful style provides a fresh and engaging interpretation of the French Open, contrasting with more traditional and serious representations of the event. Di Rosa’s ability to capture the spirit of the tournament through his unique artistic lens has made the poster a significant and memorable part of the Roland Garros series​

The 2011 Roland Garros poster by Barthélémy Toguo, a Cameroonian artist known for his multidisciplinary approach that encompasses painting, sculpture, and installation art, presents a unique and culturally rich perspective on the French Open. Toguo’s work often explores themes of migration, identity, and the human condition, which he incorporates into this vibrant and dynamic poster for one of tennis’s most prestigious tournaments.

The 2010 Roland Garros poster by Nalini Malani is a vibrant and intricate work that captures the cultural richness and global significance of the French Open through a unique blend of Eastern and Western artistic elements. Malani’s use of detailed patterns and vibrant colors offers a fresh and engaging perspective on the tournament, making the poster a standout piece in the Roland Garros series. This artwork reflects Malani’s distinctive approach to art and her ability to convey complex themes through compelling visual narratives.

Voss’s contribution to the Roland Garros poster series is highly valued for its artistic innovation and vibrant aesthetic. The poster’s unique design and Voss’s reputation as a leading figure in contemporary art enhance its desirability among collectors of sports memorabilia and modern art. Its playful and dynamic representation of the French Open adds a layer of excitement and visual interest to the series, making it a prized item for enthusiasts and collectors.

Pat Lipsky’s poster for the 1995 Roland Garros tournament is celebrated for its bold and modern aesthetic. The poster’s abstract and vibrant design offers a fresh and contemporary interpretation of the French Open, providing a visual experience that is both dynamic and engaging. Lipsky’s ability to capture the essence of the tournament through abstract color fields has made the poster a significant and memorable part of the Roland Garros series​.

The 2019 Roland Garros poster by José María Sicilia, a prominent Spanish artist known for his ethereal and poetic approach to painting, offers a unique and abstract interpretation of the French Open. Sicilia’s work often explores themes of light, memory, and the transient nature of existence, which are reflected in this delicate and evocative artwork for the tournament.
Sicilia’s contribution to the Roland Garros poster series is highly valued for its artistic depth and contemplative quality. The poster’s unique design and Sicilia’s reputation as a leading figure in contemporary art enhance its desirability among collectors of sports memorabilia and modern art. Its ethereal and delicate representation of the French Open adds a layer of sophistication and visual interest to the series, making it a prized item for enthusiasts and collectors.

The 2017 Roland Garros poster by Fabienne Verdier, a renowned French contemporary artist celebrated for her unique fusion of Eastern and Western artistic traditions, presents a dynamic and meditative interpretation of the French Open. Verdier is known for her large-scale calligraphic works that emphasize the movement and flow of the brush, reflecting her extensive training in traditional Chinese painting techniques.

Verdier’s use of expressive brushwork is central to the poster’s composition. The large, gestural strokes may symbolize the physicality and grace of tennis players, echoing their movements on the court. The bold and dynamic lines create a visual narrative that conveys the power and precision required in the sport, while also invoking a sense of spontaneity and freedom​

Jean-Michel Meurice’s poster for the 1996 Roland Garros tournament features an abstract composition filled with vibrant colors and dynamic shapes. The artwork likely incorporates elements that evoke the excitement and energy of the tournament, such as stylized representations of tennis balls and racquets, set against a backdrop that captures the lively atmosphere of the event​.
Meurice’s use of bold and contrasting colors is a hallmark of his style and is evident in the poster. The colors are chosen to evoke the iconic red clay of Roland Garros and the lush greenery surrounding the courts. The vibrant palette creates a sense of movement and excitement, mirroring the action and intensity of the matches. The interplay of colors also serves to highlight the dynamic and festive nature of the tournament​.

Antonio Saura’s poster for the 1997 Roland Garros tournament features his characteristic use of expressive, abstract forms. The artwork includes bold, sweeping brushstrokes and a dynamic composition that captures the energy and emotion of the event. Saura’s abstract style emphasizes movement and intensity, reflecting the fast-paced and competitive nature of the tournament​

The 2016 Roland Garros poster by Marc Desgrandchamps, a notable French contemporary artist known for his enigmatic and atmospheric works, offers a contemplative and surreal interpretation of the French Open. Desgrandchamps is renowned for his paintings that often blur the lines between figuration and abstraction, creating dreamlike and thought-provoking compositions.
The poster’s color palette is characterized by soft, muted tones and a dreamlike quality, contrasting with the more vibrant and bold colors seen in other Roland Garros posters. Desgrandchamps’s use of subtle color gradations and delicate hues creates a serene and ethereal atmosphere, capturing the contemplative side of the tournament and the calm moments between the intense action on the court​.

Sean Scully’s poster for the 2001 Roland Garros tournament features his signature style of geometric abstraction. The artwork likely comprises intersecting stripes and blocks of bold, flat colors, evoking a sense of structure and balance. This minimalist approach stands in stark contrast to the dynamic and often chaotic nature of tennis, offering a meditative reflection on the sport's inherent order and discipline​.
Scully’s use of color in the poster is symbolic and layered with meaning. The warm, earthy tones may represent the iconic red clay of Roland Garros, while the cooler hues could symbolize the resilience and precision of the players. This juxtaposition of colors creates a visual dialogue that mirrors the interplay between competition and artistry that defines the French Open​

The 1998 Roland Garros poster by Hervé Télémaque, a Haitian-French painter known for his vibrant and symbolic style, is a captivating piece that blends figurative and abstract elements to celebrate the spirit of the French Open. Télémaque's work often incorporates a rich tapestry of imagery and color, reflecting his diverse cultural heritage and his interest in exploring the intersection of personal and collective identities.