History of the Galerie Dina Vierny

History of the Galerie Dina Vierny

The history of Dina Vierny and her gallery is deeply linked to that of the great French sculptor Aristide Maillol. Dina Vierny became his model in 1934, after meeting a mutual friend of her father and the artist. The young girl was fifteen at the time and posed for Maillol for ten years, until his death in 1944. During this period, Dina Vierny also posed for Henri Matisse, who would influence her future as a gallery owner, and Raoul Dufy.
"I've always followed my feelings, good or bad, but it was mine, not anyone else's. I'm a dilettante, I love all forms of art. I like to take different paths. Without fear. Whatever the expression. " - Dina Vierny
At the start of the Second World War, Dina Vierny joined the Resistance. From the Maillol house in Banyuls-sur-Mer, where she lived, she organised a network to cross the Pyrenees from France to Spain. She was eventually arrested by the Gestapo and locked up. Maillol had her freed and sent her to work with his colleagues Matisse and Bonnard, but the "girl in the red dress" returned to the Resistance networks and was arrested in 1943 in Montparnasse during a roundup. She was locked up for a second time in Fresnes prison and only released after six months' imprisonment, thanks to Maillol, who died shortly afterwards in 1944. Dina was appointed executor of Maillol's will and given responsibility for the artist's work. In 1947, she opened her gallery at 36 rue Jacob in the heart of Saint-Germain-des-Prés, on the advice of Henri Matisse and the art dealer Jeanne Bucher. Matisse even managed to persuade the famous architect Auguste Perret to design the layout of the gallery, which was housed in a former bougnat. Dina Vierny inaugurated its new space with an exhibition dedicated to the Catalan master. This was followed by exhibitions devoted to artists such as Rodin, Matisse, Kandinsky and Picasso. Thanks to her friendship with Anne-Marie Uhde, sister of the famous dealer Wilhelm Uhde, and her close relationship with Jeanne Bucher, Vierny became interested in, collected and exhibited Modern Primitives, known as "naive painters", right from the start of her career as a gallery owner. In particular, she produced a catalogue raisonné of the painted work of André Bauchant. In the 1950s, the gallery owner replaced a Russian singer in a cabaret and met Serge Poliakoff, who played guitar. This event marked the beginning of their long collaboration. At the beginning of 1970, Dina Vierny travelled to the Soviet Union where she met Russian non-conformist artists, who at the time were not allowed to exhibit in their country. She decided to promote them and smuggled their paintings back to France, where they were exhibited in 1973 under the title Avant-garde russe - Moscou 73.
Plan of the Dina Vierny gallery made by Auguste Perret in 1946
As time went by, Dina Vierny wanted to find an appropriate place to house her collections and Maillol's work. In 1976, she declared: "It is in the Hôtel Bouchardon, 59 rue de Grenelle, which I am buying back piece by piece that the Fondation Maillol will be held. (...) In a word, all my collections, once they become public, will belong to the French community." Vierny bought up all the flats and the museum was inaugurated́ in 1995, in the presence of President Mitterrand.
Façade of the Musée Maillol. 4 seasons fontain by Bouchardon © Fondation Dina Vierny - Musée Maillol
Dina Vierny died in 2009. Her son Olivier Lorquin took over the running of the gallery. He continues to represent the gallery's traditional artists such as Poliakoff and Gilioli, as well as naïve and non-conformist artists. He also added to the list of artists represented by the sculptor Robert Couturier, the painter Ra'anan Levy and several great photographers such as Jerry Schatzberg, Frank Horvat, Bert Stern and Jean-François Jonvelle.
Since 1995, Olivier Lorquin has divided his time between his duties as director of the Musée Maillol and the Galerie Dina Vierny. Following several collaborations in the 2010s with his two sons, Pierre and Alexandre, Olivier Lorquin decided to appoint them both as directors of the gallery in 2021.
Under this third generation, the gallery refocused on its original DNA of modern and post-war art with its historic artists, but also added new names such as Judit Reigl, Germaine Richier and Michel Haas. Today, the Galerie Dina Vierny aims to present each exhibition from an innovative scientific angle, often accompanied by a catalogue written by experts or independent curators.
Alexandre and Pierre Lorquin in front of the Galerie Dina Vierny © Corentin Fohlen, 2021