Pure Neutrals : The Autumn Show

Pure Neutrals : The Autumn Show

Galerie Laurent Dubois is pleased to present you Pure Neutrals: The Autumn Show, an exhibition which highlights pieces in neutral tones. A pared down colour palette permits the beauty of raw materials and the ingenuity of design to take centre stage.
“Light is therefore color.” J. M. W. Turner
The following selection spans the 20th century, presenting work from some of its most remarkable designers, whether it be Raymond Subes or the iconic collaboration between Elizabeth Garouste and Mattia Bonetti.
Texture
Our selection features works who emphasise texture, whether it be natural aspect of the raw material, such as in Noll's 'Rosewood Bowl' and 'Oak Tray', or through Capron's textured ceramic tiles that make up his tabletop. Texture gives a dimensionality to our design masterpieces, enhancing the craftmenship that went into their creation.
Textured glass is the dominant feature of Serge Mouille's Table Lamp N. 400, 1963.
Silhouette
As masterpieces of minimalism, many of the objects exhibited in 'Pure Neutrals' put an emphasis on silhouette. Legendary creations, such as Garouste and Bonetti's 'Koala' set or Pol Chambost's 'Ceramic Eggs' have become symbols in the design world for their form. The neutral colour palette chosen by these designers, whether it be an artistic choice or as an echo to nature, allow the pieces to fit seamlessly into any interior.
Profile shot of Garouste and Bonetti's 'Koala Club Chair', c. 1985.
Patina
The designs showcased in 'Pure Neutrals' are, in many cases, antiques. Their patina has evolved, taking on the lustre of time and rarity. Raymond Sube's 'Console' features a magnificent iron base, which emphasizes the brush strokes applied to the object. On the other hand, the sheen of Jacques Adnet's 'Opaline Cabinet' gives a mirror-like effect thanks to its lacquer-like opaline door, a technique rarely practised today.
Brushed iron base and marble top on Raymond Sube's 'Console', c. 1950.