Invisible presences
Invisible presences
Solène Kerlo's work is a quest for origins: it examines the relationship of modern humans to their roots and their mythological unconscious. Through her research, she delves into the myths of the world's creation, their motifs, and their symbols, seeking to uncover the primordial and universal story that nurtured and shaped human civilization during the earliest stages of its consciousness.
Visual artist, performer and dancer, Mathias Bensimon was born in Paris in 1996. A graduate of the Beaux-Arts de Paris, Mathias Bensimon is an artist who places light at the heart of his work. Specializing in the creation of large-format paintings, Mathias Bensimon produced a monumental fresco in 2020 for the headquarters of Altarea Cogedim in Paris, designed by architect Jean-Michel Wilmotte. In 2023, He presents his first solo exhibition at the Loft Gallery on the occasion of the realization of a fresco of 21 meters long in the interior garden of the Ministry of Culture.
Mathias Bensimon is an artist who explores light and matter in his work, as a testimony to the different manifestations of reality. Questioning the visible and the invisible, the artist treats light as a medium and substance, but also as a revealing intelligence.
Mathias Bensimon tirelessly researches and explores new experiences of light through gestures and colour combinations that are unique in contemporary art. These imaginary portraits create a soothing, meditative atmosphere in which the colors are simply the material rendering of the painter's emotions and attentiveness to his environment.
Solène Kerlo's work is a quest for origins: it examines the relationship of modern humans to their roots and their mythological unconscious. Through her research, she delves into the myths of the world's creation, their motifs, and their symbols, seeking to uncover the primordial and universal story that nurtured and shaped human civilization during the earliest stages of its consciousness.
Rita Alaoui is a Franco-Moroccan artist who lives and works in Paris. She graduated from the Parsons School of Design in New York. Fascinated and amazed by the forces of nature, Rita focuses her approach on the representation of a dreamlike and sacred nature. It combines several references, from garden art to botany, from animism to ancestral medicinal practices. The question that drives Rita Alaoui's research is that of her role as an artist in relation to this silent matter that surrounds us: for her it is a question of reproducing the vestiges of nature, left by the passage of time, to rethink our connection to the wild world, to reinterpret the familiar and imagine connections with the extraordinary.
Solène Kerlo's work is a quest for origins: it examines the relationship of modern humans to their roots and their mythological unconscious. Through her research, she delves into the myths of the world's creation, their motifs, and their symbols, seeking to uncover the primordial and universal story that nurtured and shaped human civilization during the earliest stages of its consciousness.
Photography invites us to consider the idea that light possesses a memory. The photographs Astrid Staes presents are an invitation to solitude and absence. In this soft light floats a bygone time, an amalgam of sensations and emotions, the skin of the soul delicately suspended by the photographer.
The photographs from Echos des Ruines bear witness to a devastated, silent, and hostile nature. Yet she imbues them with a certain poetry, reminiscent of a walk through the desert.
Solène Kerlo's work is a quest for origins: it examines the relationship of modern humans to their roots and their mythological unconscious. Through her research, she delves into the myths of the world's creation, their motifs, and their symbols, seeking to uncover the primordial and universal story that nurtured and shaped human civilization during the earliest stages of its consciousness.
Solène Kerlo's work is a quest for origins: it examines the relationship of modern humans to their roots and their mythological unconscious. Through her research, she delves into the myths of the world's creation, their motifs, and their symbols, seeking to uncover the primordial and universal story that nurtured and shaped human civilization during the earliest stages of its consciousness.
Mathias Bensimon tirelessly researches and explores new light experiences through unique gestures and color combinations in contemporary art. Light as a medium and substance, but also light as revealing intelligence. Like a testimony to the different manifestations of reality, light can appear to us in a multitude of forms and reflections and then raises the question of the visible and of the unseen.
Mathias Bensimon tirelessly researches and explores new experiences of light through gestures and colour combinations that are unique in contemporary art. These imaginary portraits create a soothing, meditative atmosphere in which the colors are simply the material rendering of the painter's emotions and attentiveness to his environment.
Visual artist, performer and dancer, Mathias Bensimon was born in Paris in 1996. A graduate of the Beaux-Arts de Paris, Mathias Bensimon is an artist who places light at the heart of his work. Specializing in the creation of large-format paintings, Mathias Bensimon produced a monumental fresco in 2020 for the headquarters of Altarea Cogedim in Paris, designed by architect Jean-Michel Wilmotte. In 2023, He presents his first solo exhibition at the Loft Gallery on the occasion of the realization of a fresco of 21 meters long in the interior garden of the Ministry of Culture.
Astrid Staes is a young emerging photographer living in Paris. Trained as an actress, she has been passionate about staging, scenography, architecture and photographing empty spaces for several years. She has made Japanese KODOKUSHI her subject of study.
Photography invites us to think that light has a memory. Astrid Staes' photographs are an invitation to solitude and absence. Floating in this soft light is a bygone era, an aggregate of sensations and feelings, the skin of the soul delicately suspended by the photographer.
A certain poetry emanates from her photographs, in which desert landscapes, abandoned buildings and abstract forms are visible. The artist establishes a dialogue between the body and absence. Considered to be the beginning and the end of everything, the emptiness occupies an important place in the art of Astrid Staes. Her work brings to light what is already there.
ita Alaoui is a Franco-Moroccan artist who was born in Rabat in 1972 and now lives and works in Paris. She graduated from the Parsons School of Design in New York, where she lived until the late 1990s.
Fascinated by the power of nature and the healing properties of plants, and concerned about a world that is disappearing, her work focuses on the representation of a dreamlike, sacred and healing nature.
Although strongly influenced by the wild landscapes and distinctive light of Morocco that shaped her childhood, her work is universal. Her paintings, which make up a large part of her artistic output, depict landscapes and waterscapes that are both mysterious and lush.
Astrid Staes' photographs are an invitation to solitude and absence. Floating in this soft light is a bygone era, an aggregate of sensations and feelings, the skin of the soul delicately suspended by the photographer.
A certain poetry emanates from her photographs, in which desert landscapes, abandoned buildings and abstract forms are visible. The artist establishes a dialogue between the body and absence. Considered to be the beginning and the end of everything, the emptiness occupies an important place in the art of Astrid Staes. Her work brings to light what is already there.