Constantin Brâncuși’s Endless Column Voulangis And Tirgu Jiu
Grob Gallery
7 days left
Constantin Brâncuși’s Endless Column Voulangis And Tirgu Jiu
Grob Gallery
7 days left
Brâncuși’s Endless Column embodies the essence of modernism and its fusion of tradition and innovation.
First installed as a wooden prototype in Steichen’s garden in Voulangis, it celebrated modularity and abstraction within a personal setting. The final iron iteration, rising over 30 meters in Târgu Jiu, Romania, serves as a memorial to fallen soldiers.
Its design and integration into the environment redefined modern sculpture, influencing architecture and the visual language of modernism.
“Matter must continue its natural life when modified by the hand of the sculptor.”
Constantin Brâncuși
On view at Grob Gallery, Constantin Brâncuși's Endless Column: Voulangis and Târgu Jiu invites viewers to explore one of modernism’s most iconic forms through Brâncuși’s own lens. The exhibition features 30 photographs, including eight self-portraits of Brâncuși working on the Endless Column, providing an intimate glimpse into the mind and hand that shaped this revolutionary work.
Regarded as “the most radical sculpture in the history of classic modernism,” the Endless Column stands alongside the great monumental works of the ancient world, yet it is distinctly of its own time—an extraordinary vision of infinity, purity, and ascent. Beginning with a series of doubled pyramids, Brâncuși discovered a language of repeating forms that transcends the physical, suggesting a continuum that defies boundaries and extends into the unknown.
This exhibition traces the column’s journey from its origins in Edward Steichen’s garden in Voulangis to its culmination in the monumental installation at Târgu Jiu, Romania—a UNESCO World Heritage site. In the words of art historian Sidney Geist, the column appears as a "repetition without monotony," a form that rises with elegance and intent, both grounded and ethereal. Its rhythm and balance speak to a timeless order and harmony that stand as symbols of endurance.
Brâncuși’s photographs of the Steichen Column, now preserved in collections such as the Centre Georges Pompidou and Kunsthaus Zurich, offer an invaluable perspective on his dedication to documenting and refining his vision. Through these images and the self-portraits that reveal his intimate creative process, Constantin Brâncuși's Endless Column: Voulangis and Târgu Jiu honors a work that stands at the heart of modernism—a bold testament to the boundless possibilities of form and the enduring human pursuit of transcendence.
Edward Steichen and Constantin Brâncuși
Steichen and Brâncuși first met in 1907 at Auguste Rodin’s studio, sparking a lifelong friendship. In 1920, Brâncuși crafted a unique 24-foot-tall version of his Endless Column for Steichen’s villa near Paris. Carved from a tree on the property, the sculpture was deeply connected to its environment, fulfilling Brâncuși’s vision of outdoor installations. Steichen captured the installation day in a photograph showing five workmen erecting the column, with Brâncuși, in wooden clogs.
© Edward J. Steichen & © MET
Brancusi seated with Steichen's dog, Stoor
Brâncuși famously expressed his broader philosophy about art, saying, "What is real is not the external form, but the essence of things," which aligns with his abstract yet deeply symbolic approach in creating the Endless Column
©centre pompidou
Constantin Brancusi and Man Ray's The Endless Column, 1927
Constantin Brâncuși and Man Ray collaborated artistically, with their work often intersecting in photography and sculpture. In 1927, Man Ray co-created a photograph of Brâncuși’s Endless Column, capturing its modernist essence and monumental ambition. This photograph contributed to the visual documentation of Brâncuși's groundbreaking approach to abstraction and its relationship with natural forms and scale.
©Grobgallery
Brancusi at work
Here you can see the creative process of Brâncuși, working on the wooden version of the Endless Column which was to be installed in Voulangis, France in the garden of Edward Steichen.
In private collection.
The Gate of the Kiss
Brâncuși’s modernist ethos, showcases his ability to distill complex ideas into elemental forms. The Gate of the Kiss is not merely a passage; it is a universal symbol of connection and unity, echoing themes of love, relationships, and transition. By documenting the maquette in its raw, unfinished state, Brâncuși highlights the iterative nature of his creative process, allowing viewers to glimpse the evolution of a masterpiece.
Constantin Brancusi , Maquette for the Gate of the Kiss, 1935-37