Alec Franco: Microorganisms and Microscopic Systems.

Alec Franco: Microorganisms and Microscopic Systems.

NOVA, 2022 by Alec Franco Acrylic on Canvas Image Size: 99 cm H x 148 cm W x 0.5 cm D Mounted on an acid free foam board Signed by the artist
Atomo, by Alec Franco Acrylic paint and pastel on canvas Canvas size: 210 cm H X 160 cm W Image size: 200 cm H X 150 cm W One of a Kind Unframed Signed by artist Mix Media _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
NEXUS, by Alec Franco Acrylic, pastel, and asphalt paint on canvas Canvas size: 43 cm H X 59 cm W Framed: 55 cm H x 72 cm W Mix media on canvas Signed by artist _______ Alec Franco was born on August 7, 1972, in Buenos Aires, Argentina, where he currently resides. He has been a graphic designer since 1995. He began painting in 1991 and in 1993 he attended the drawing and airbrushing workshops of Ignacio Otero. His training continues in the workshops of Abstract Expressionism of Marco Otero, of Essentialism with Heriberto Zorrilla and Helena Distéfano. By 2012 he deepened his technique with Sergio Bazán and later perfected it in the clinic of Fabiana Barreda and that of María Carolina Baulo who was curator of one of his latest samples Harena. He has been an editor together with other artists, writers, and designers of Hoornik Collection Art Magazine since 2016. He has made numerous samples between 2011 and 2017: at The Redchurch Gallery in Shoreditch, London in 2012-2013; Stupid perfection at the Borges Cultural Center in 2013; at the Buenos Aires Design in 2015; in the same year in the Honorable Senate of the Argentine Nation and in the Recoleta Cultural Center of Buenos Aires; the following year at the San Isidro Open Studio. The most recent: Harena, was exhibited at the Newbery Central Gallery and the Esteban Lisa Foundation in 2017.
Nita, 2023 by Alec Franco Acrylic painting on canvas Image Size: 200 cm H x 148 cm W Unframed Signed by the artist
Intro, by Alec Franco Acrylic paint on canvas Image size: 150 cm H X 100 cm W One of a Kind Unframed Hand-signed by artist __ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
Horizon, 2020 by Alec Franco Mixed Technique on canvas Image Size: 70 cm H x 200 cm W Unframed Signed by the artist
REINA, by Alec Franco Acrylic, fiber metallic paint on canvas Canvas size: 150 cm H X 150 cm W Unframed Mix media on canvas Signed by artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
Indefinido, 2023 by Alec Franco Acrylic painting on canvas Image Size: 180 cm H x 130 cm W Unframed Signed by the artist
Supra, by Alec Franco Acrylic paint on canvas Canvas size: 160 cm H X 110 cm W Image size: 150 cm H X 100 cm W One of a Kind Unframed Hand-signed by artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
Ophelia, by Alec Franco Mix media on canvas Image size: 86 cm H X 106 cm W One of a Kind Unframed Hand-signed by artist _______ Alec Franco was born on August 7, 1972, in Buenos Aires, Argentina, where he currently resides. He has been a graphic designer since 1995. He began painting in 1991 and in 1993 he attended the drawing and airbrushing workshops of Ignacio Otero. His training continues in the workshops of Abstract Expressionism of Marco Otero, of Essentialism with Heriberto Zorrilla and Helena Distéfano. By 2012 he deepened his technique with Sergio Bazán and later perfected it in the clinic of Fabiana Barreda and that of María Carolina Baulo who was curator of one of his latest samples Harena. He has been an editor together with other artists, writers, and designers of Hoornik Collection Art Magazine since 2016. He has made numerous samples between 2011 and 2017: at The Redchurch Gallery in Shoreditch, London in 2012-2013; Stupid perfection at the Borges Cultural Center in 2013; at the Buenos Aires Design in 2015; in the same year in the Honorable Senate of the Argentine Nation and in the Recoleta Cultural Center of Buenos Aires; the following year at the San Isidro Open Studio. The most recent: Harena, was exhibited at the Newbery Central Gallery and the Esteban Lisa Foundation in 2017.
Neutral, 2023 by Alec Franco Acrylic on toasted Panama fabric Image Size: 43 H x 32 W x 1 D inches Mounted on a Stretcher Signed back by artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
Gen #4, by Alec Franco From The "Gen" Series Acrylic, pastel on handmade paper Image size: 50 cm H X 35 cm W One of a Kind Unframed Mix Media Hand-signed by artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
Circuito #1, by Alec Franco From The Series Circuito Acrylic paint on canvas Image Size: 100 cm H X 148 cm W Signed by artist 2022 _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
AZULES 2, 2021 by Alec Franco Mixed envelope on raw rustic canvas Mixed Technique (Acrylic and oil Pastel) on canvas Image Size: 117 cm H x 86 cm W Framed Signed by the artist
Eclipsado, 2020 by Alec Franco Mixed envelope on raw rustic canvas Mixed Technique (Acrylic and oil Pastel) on canvas Image Size: 200 cm H x 200 cm W Unframed Signed by the artist
Cápsula #6, 2022 by Alec Franco Acrylic on canvas Image size: 150 cm H X 78 cm W Unframed Signed by artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
Untitled. Mix media on canvas, 2021 by Alec Franco Acrylic and pastel on canvas Image Size: 150 cm H X 150 cm W Mix media Unframed Signed by artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
SILENCIO #1, 2023 by Alec Franco Acrylic and charcoal on Canvas Image Size: 118 cm H x 68 cm W Unframed Signed by the artist
6/11, 2023 by Alec Franco Acrylic painting on canvas Image Size: 90 cm H x 110 cm W Unframed Signed by the artist
NEXA #2, 2023 by Alec Franco Acrylic and pastel on black canvas Image Size: 104 cm H x 76 cm W Mix media Unframed Signed by artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
SILENCIO #2, 2023 by Alec Franco Acrylic and Oil pastel on Canvas Image Size: 118 cm H x 68 cm W Unframed Signed by the artist
300 ADN, by Alec Franco Mix media on canvas Canvas size: 210 cm H X 160 cm W Image size: 200 cm H X 150 cm W One of a Kind Unframed Hand-signed by artist _______ Alec Franco was born on August 7, 1972, in Buenos Aires, Argentina, where he currently resides. He has been a graphic designer since 1995. He began painting in 1991 and in 1993 he attended the drawing and airbrushing workshops of Ignacio Otero. His training continues in the workshops of Abstract Expressionism of Marco Otero, of Essentialism with Heriberto Zorrilla and Helena Distéfano. By 2012 he deepened his technique with Sergio Bazán and later perfected it in the clinic of Fabiana Barreda and that of María Carolina Baulo who was curator of one of his latest samples Harena. He has been an editor together with other artists, writers, and designers of Hoornik Collection Art Magazine since 2016. He has made numerous samples between 2011 and 2017: at The Redchurch Gallery in Shoreditch, London in 2012-2013; Stupid perfection at the Borges Cultural Center in 2013; at the Buenos Aires Design in 2015; in the same year in the Honorable Senate of the Argentine Nation and in the Recoleta Cultural Center of Buenos Aires; the following year at the San Isidro Open Studio. The most recent: Harena, was exhibited at the Newbery Central Gallery and the Esteban Lisa Foundation in 2017.
Séptico I, by Alec Franco Acrylic, pastel, oil on canvas Image Size: 90 cm H X 70 cm W Signed by artist 2022 _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
Circuito #16-A, by Alec Franco From The Series Circuito Acrylic, pastel, and asphalt paint on canvas Image Size: 185 cm H X 45 cm W Signed by artist Mix media on canvas 2019 _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
AZULES 1, 2021 by Alec Franco Mixed envelope on raw rustic canvas Mixed Technique (Acrylic and oil Pastel) on canvas Image Size: 117 cm H x 86 cm W Framed Signed by the artist
Circuito #16-B, by Alec Franco From The Series Circuito Acrylic, pastel, and asphalt paint on canvas Image Size: 185 cm H X 45 cm W Signed by artist Mix media on canvas 2019 _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
Células Activas #4, by Alec Franco From The Series Células Activas Mix media on paper (Acrylic paint and Ink) Framed: 74 H cm. x 60 W cm x 5 D cm. Image size: 30 cm H X 22 cm W Signed by artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
Circuito #5, by Alec Franco From The Series Circuito Acrylic paint on canvas Image Size: 110 cm H X 150 cm W Signed by artist 2022 _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
Gen #3, by Alec Franco From the "Gen" Series Acrylic, pastel chalk on handmade paper Mix Media Image size: 50 cm H X 35 cm W. One of a Kind Unframed Hand-signed by artist _______ Alec Franco was born on August 7, 1972, in Buenos Aires, Argentina, where he currently resides. He has been a graphic designer since 1995. He began painting in 1991 and in 1993 he attended the drawing and airbrushing workshops of Ignacio Otero. His training continues in the workshops of Abstract Expressionism of Marco Otero, of Essentialism with Heriberto Zorrilla and Helena Distéfano. By 2012 he deepened his technique with Sergio Bazán and later perfected it in the clinic of Fabiana Barreda and that of María Carolina Baulo who was curator of one of his latest samples Harena. He has been an editor together with other artists, writers, and designers of Hoornik Collection Art Magazine since 2016. He has made numerous samples between 2011 and 2017: at The Redchurch Gallery in Shoreditch, London in 2012-2013; Stupid perfection at the Borges Cultural Center in 2013; at the Buenos Aires Design in 2015; in the same year in the Honorable Senate of the Argentine Nation and in the Recoleta Cultural Center of Buenos Aires; the following year at the San Isidro Open Studio. The most recent: Harena, was exhibited at the Newbery Central Gallery and the Esteban Lisa Foundation in 2017.
From The Series Plastic ADN Acrylic paint on canvas Paintwork mounted on a stretcher: 116.8 H cm. x 86.3 W cm x 5 D cm Canvas size: 110 cm H X 94 cm W Image size: 100 cm H X 80 cm W One of a Kind Signed by artist ______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
From The Series Plastic ADN Acrylic paint on canvas Paintwork mounted on a stretcher: 116.8 H cm. x 86.3 W cm x 5 D cm. Canvas size: 110 cm H X 94 cm W Image size: 100 cm H X 80 cm W One of a Kind Signed by artist ______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
Plastic ADN III, by Alec Franco From The Series Plastic ADN Acrylic paint on canvas Canvas size: 160 cm H X 160 cm W Image size: 150 cm H X 150 cm W One of a Kind Unframed Signed by artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
AZULES 1 & 2 Diptych, 2021 by Alec Franco Mixed envelope on raw rustic canvas Mixed Technique (Acrylic and oil Pastel) on canvas Overall size: 117 cm H x 172 cm W Image Size: 117 cm H x 86 cm W Framed Signed by the artist
Biodec, 2022 by Alec Franco Acrylic on canvas size: 200 cm H X 150 cm W Unframed Signed by artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
INTRO, by Alec Franco Acrylic, pastel, asphalt paint on canvas Canvas size: 90 cm H X 195 cm W Unframed Mix media on canvas Signed by artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
ADN 400-II, by Alec Franco From The Series Plastic ADN Acrylic paint on canvas Image Size: 42 cm H X 30 cm W Signed by artist 2022 The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
ADN 400, (Triptych), by Alec Franco From The Series Plastic ADN Acrylic paint on canvas Overall size: 42 cm H x 90 cm W Individual size: Image Size: 42 cm H X 30 cm W Signed by artist 2022 _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
SILENCIO #1 and #2 Diptych, 2023 by Alec Franco Overall size: 118 cm H x 136 cm W Individual size: 118 cm H x 68 cm W SILENCIO #1 (Acrylic and charcoal, on Canvas) SILENCIO #2 (Acrylic and Pastel Oil, on Canvas) Unframed Signed by the artist
ADN 400-I, by Alec Franco From The Series Plastic ADN Acrylic paint on canvas Image Size: 42 cm H X 30 cm W Signed by artist 2022 _______ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?
Gen #5, by Alec Franco From The "Gen" Series Acrylic, pastel on handmade paper Image size: 50 cm H X 35 cm W One of a Kind Unframed Mix Media Hand-signed by artist __ The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds. The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible. The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?