1892, 2022 by Salvatore Arnone Paper size: 105 H x 86.5 W cm. Printed area: 61.5 H x 43 W cm. Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

2153, 2022 by Salvatore Arnone Paper size: 90 H x 70 W cm. Printed area: 82 H x 62 W cm. Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

1191, 2022 by Salvatore Arnone Paper size: 225 H x 165 W cm. Printed area: 210 H x 150 W cm. Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

6002, 2022 by Salvatore Arnone Paper size: 105 H x 86.5 W cm. Printed area: 61.5 H x 43 W cm. Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

1830, 2022 by Salvatore Arnone Paper size: 90 H x 70 W cm. Printed area: 82 H x 62 W cm. Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

1060, 2022 by Salvatore Arnone Paper size: 105 H x 86.5 W cm. Printed area: 61.5 H x 43 W cm. Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

2148, 2022 by Salvatore Arnone Paper size: 100 H x 81.2 W cm. Printed area: 62.5 H x 43.7 W cm. Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

1540, 2022 by Salvatore Arnone Paper size: 110 H x 80 W cm. Printed area: 100 H x 70 W cm. Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.

0205, 2022 by Salvatore Arnone Paper size: 90 H x 70 W cm. Printed area: 82 H x 62 W cm. Despite photography remains his main form of expression, the author starts seeing some limits in this media to properly describe his altered and often dreamy vision of reality. In this series photography mixes with several other techniques (pastels, acrylic, pencil…) to represent the duality of objective/subjective, real and imaginary.