In 1974, Shore purchased a Stereo Realist - a camera that created stereographic color transparencies - resulting in images that could be viewed in 3D. In the winter of 1975, Shore exhibited about 15 of these pictures at Light Gallery in New York City using a loaned Stereo Realist camera store display viewer. While the resulting images were mesmerizing, the method of viewing them proved complicated. Now, almost 50 years later, The Lapis Press developed a digital technology that uses layers to accentuate spatial depth within the image. When coupled with a lenticular lens, the print produces a three-dimensional composition. This new lenticular edition aims to show the images the way they were meant to be seen, without the use of a stereoscope.

In 1974, Shore purchased a Stereo Realist - a camera that created stereographic color transparencies - resulting in images that could be viewed in 3D. In the winter of 1975, Shore exhibited about 15 of these pictures at Light Gallery in New York City using a loaned Stereo Realist camera store display viewer. While the resulting images were mesmerizing, the method of viewing them proved complicated. Now, almost 50 years later, The Lapis Press developed a digital technology that uses layers to accentuate spatial depth within the image. When coupled with a lenticular lens, the print produces a three-dimensional composition. This new lenticular edition aims to show the images the way they were meant to be seen, without the use of a stereoscope.

In 1974, Shore purchased a Stereo Realist - a camera that created stereographic color transparencies - resulting in images that could be viewed in 3D. In the winter of 1975, Shore exhibited about 15 of these pictures at Light Gallery in New York City using a loaned Stereo Realist camera store display viewer. While the resulting images were mesmerizing, the method of viewing them proved complicated. Now, almost 50 years later, The Lapis Press developed a digital technology that uses layers to accentuate spatial depth within the image. When coupled with a lenticular lens, the print produces a three-dimensional composition. This new lenticular edition aims to show the images the way they were meant to be seen, without the use of a stereoscope.