A well-prepared solo exhibition is typically the result of collaboration with a curator, who gathers the artist's ideas, organizes them, suggests certain spatial arrangements, helps select the works, and ensures better communication with the audience—art lovers and collectors. These conceptual discussions are a kind of brainstorming session and a creative process in their own right.

Although we rarely have the time to visit artists in their studios, working on an exhibition requires it. It's a fortunate necessity because it allows us to delve deeper into the work of the artists we represent, to understand them and what they wish to convey to their audience. This process helps create an exhibition that is not only engaging for viewers but also aligns with the artist's vision. It also aids in writing about and presenting their work more effectively.

For now, we are sharing a photo report from Agata Czeremuszkin-Chrut’s studio, which also partially documents the conceptual work behind the exhibition.