The artworks Simmod are composed of few works on large digital electronic canvases, an unstoppable flow of constantly generated and never equal images of media abstraction.
Davide Maria Coltro is a pioneer of digital art, his projects modify the creation, diffusion and use of art. The result of these studies, which began at the end of the nineties, is an unprecedented relational platform that the author uses for the creation and diffusion of his electronic painting.

This “media abstraction is of great beauty, almost hypnotic, in which the chromatic
vibrations of lines and squares are repeated, modifying themselves almost infinitely and the variations, accelerated or slowed down by the chosen algorithm, merge into an indefinite number, and even if there were a repetition or a pattern at its base, it’s neither perceptible by the eye nor codified by the mind, which is left at the total mercy of the vastness of the work, of its openness, of its perspective of perpetual undoing and redoing in billions of ways and shades," says an art critic Angelo Crespi about these works by Coltro.

The artworks Camps are composed of few works on large digital electronic canvases, an unstoppable flow of constantly generated and never equal images of media abstraction.
Davide Maria Coltro is a pioneer of digital art, his projects modify the creation, diffusion and use of art. The result of these studies, which began at the end of the nineties, is an unprecedented relational platform that the author uses for the creation and diffusion of his electronic painting.

This “media abstraction is of great beauty, almost hypnotic, in which the chromatic
vibrations of lines and squares are repeated, modifying themselves almost infinitely and the variations, accelerated or slowed down by the chosen algorithm, merge into an indefinite number, and even if there were a repetition or a pattern at its base, it’s neither perceptible by the eye nor codified by the mind, which is left at the total mercy of the vastness of the work, of its openness, of its perspective of perpetual undoing and redoing in billions of ways and shades," says an art critic Angelo Crespi about these works by Coltro.