Tom Herck ONCE WE RULED THE WORLD - THE FISHERMAN
Tom Herck ONCE WE RULED THE WORLD - THE FISHERMAN
At the core of Herck's artistic journey lies an unrelenting exploration of socio-political themes and existential inquiries. His art delves into the complexities of human existence, addressing themes such as vanity, history, religion, the rise and fall of empires, extinction, evolution, and the cyclical nature of history. This thematic depth underscores the intellectual and emotional resonance of his creations, inviting viewers to contemplate the intricacies of the human experience.
Tom Herck was born in Sint-Truiden, Belgium, in 1984 and currently resides in Ordingen, Belgium. He is a neo-conceptual multidisciplinary artist, has earned distinction for his creation of unconventional and impactful monumental public art installations. Renowned for his thought-provoking works, Herck's artistry spans sculptures, installations, and mixed-media creations, all of which radiate an unfiltered authenticity that encourages profound introspection. He adeptly navigates the intricate interplay between traditional and atypical artistic techniques, resulting in a body of work that resonates with audiences on multiple levels.
At the core of Herck's artistic journey lies an unrelenting exploration of socio-political themes and existential inquiries. His art delves into the complexities of human existence, addressing themes such as vanity, history, religion, the rise and fall of empires, extinction, evolution, and the cyclical nature of history. This thematic depth underscores the intellectual and emotional resonance of his creations, inviting viewers to contemplate the intricacies of the human experience.
One of the hallmarks of Herck's art is its capacity to challenge societal norms and disrupt established perceptions. Through his work, he initiates dialogues that transcend cultural and generational boundaries. Herck's creations serve as catalysts for conversations that probe the depths of collective consciousness, prompting viewers to reconsider their viewpoints and engage with the broader tapestry of human thought.
HOLY COW (2017)
Tom Herck's project, "Holy Cow," is a striking piece of art displayed in the Kuttekoven church in Belgium. Created when he was 33—an age that subtly references Jesus Christ's crucifixion—this installation is packed with symbolism.
At the heart of "Holy Cow" is a huge basin filled with a mix of water, powdered substances, and milk. In the center stands a life-sized sculpture, made from a real deceased cow. Herck chose to use a real cow to ensure accuracy and make a powerful statement.
Fiberglass (polyster) 490 x 235 x 90 cm, 81 m2 Bath mixed with milk, water and milk powder.
THE WALL (2019)
Tom Herck has created a monumental nine-meter-tall piñata, drawing inspiration from the Trojan Horse and symbolizing Mexican heritage, as a commentary on the border wall once proposed by Donald Trump. It stands against a massive wooden structure measuring twelve meters wide and four meters high. The artwork reflects Herck's belief that open conversation can prevent the creation of echo chambers and divisive groups that may otherwise fuel conflict and violence.
The Wall 2019 The burn. Black rock city desert (USA)
TERRA 01
TERRA 01 (2024); 120 x 160 x 4 cm; Mixed media on canvas; 7.500 .- EUR
TERRA 03
TERRA 03 (2024); 120 x 160 x 4 cm; Mixed media on canvas; 7.500 .- EUR
ONCE WE RULED THE WORLD - THE FISHERMAN (2024)
Dinosaurs, captivating across ages and cultures, hold a prominent place in Earth's history, contrasting with the relatively young Homo sapiens, who emerged 300,000 years ago. Herck reflects on humanity's evolution amidst the digital revolution. Despite lacking physical prowess compared to dinosaurs, humans dominate as apex predators due to advanced cognitive abilities, tools, and social structures.
The project "Once We Ruled The World," serves as a poignant exploration of human ego and vanity.
Belgium H: 10.460 x W: 2.659 x L: 7.360 cm Weight 4.500 kg Fibreglass/Polyester and steel