“The precarious situation of public transportation, and of mobility in general, remains ultra-underrepresented in public debate, as a matter condemned to languish on many public ‘to do’ lists. This means that the work of Alejandro Cartagena takes on specific political importance in making visible the costs of this inaction on the quality of life of people living in the Metropolitan Area of Monterrey.” –– Ximena Peredo

“The precarious situation of public transportation, and of mobility in general, remains ultra-underrepresented in public debate, as a matter condemned to languish on many public ‘to do’ lists. This means that the work of Alejandro Cartagena takes on specific political importance in making visible the costs of this inaction on the quality of life of people living in the Metropolitan Area of Monterrey.” –– Ximena Peredo

“The precarious situation of public transportation, and of mobility in general, remains ultra-underrepresented in public debate, as a matter condemned to languish on many public ‘to do’ lists. This means that the work of Alejandro Cartagena takes on specific political importance in making visible the costs of this inaction on the quality of life of people living in the Metropolitan Area of Monterrey.” –– Ximena Peredo

“The precarious situation of public transportation, and of mobility in general, remains ultra-underrepresented in public debate, as a matter condemned to languish on many public ‘to do’ lists. This means that the work of Alejandro Cartagena takes on specific political importance in making visible the costs of this inaction on the quality of life of people living in the Metropolitan Area of Monterrey.” –– Ximena Peredo

“The precarious situation of public transportation, and of mobility in general, remains ultra-underrepresented in public debate, as a matter condemned to languish on many public ‘to do’ lists. This means that the work of Alejandro Cartagena takes on specific political importance in making visible the costs of this inaction on the quality of life of people living in the Metropolitan Area of Monterrey.” –– Ximena Peredo

In 1978, Iturbide was commissioned by the Archivo Ethnographic of the National Indigenous Institute of Mexico to document the country's indigenous population. Iturbide decided to photograph the Seri people, a group of nomadic fishermen in the Sonoran desert in northwest Mexico and close to the border with Arizona.

In 1978, Iturbide was commissioned by the Archivo Ethnographic of the National Indigenous Institute of Mexico to document the country's indigenous population. Iturbide decided to photograph the Seri people, a group of nomadic fishermen in the Sonoran desert in northwest Mexico and close to the border with Arizona.

Photographer, passionate seeker, and visionary of creativity, Flor Garduño is an outstanding representative of the richness and diversity of Mexican photography. She has always used natural light to create a series of photographs that bring a magical lyricism to black-and-white photography. This still life is the perfect example.

Photographer, passionate seeker, and visionary of creativity, Flor Garduño is an outstanding representative of the richness and diversity of Mexican photography. She has always used natural light to create a series of photographs that bring a magical lyricism to black-and-white photography. This still life is the perfect example.

Photographer, passionate seeker, and visionary of creativity, Flor Garduño is an outstanding representative of the richness and diversity of Mexican photography. She has always used natural light to create a series of photographs that bring a magical lyricism to black-and-white photography. This still life is the perfect example.

Photographer, passionate seeker, and visionary of creativity, Flor Garduño is an outstanding representative of the richness and diversity of Mexican photography. She has always used natural light to create a series of photographs that bring a magical lyricism to black-and-white photography. This still life is the perfect example.

Part of the Firefly series, in this project, the artist tries to understand how violence is lived daily, how violence permeates, and almost changes, the physical and spiritual space of the people who live in Mexico. Yael wanted to reveal another possible image in an image and transform the photo into a three-dimensional artifact. Thus he came to the idea of drilling: with needles of different sizes, he intervened in the photos to fill with light those intimate scenes that he had photographed for several years.

4/7 + 2 AP also available, unframed, USD 4,500

This concise encyclopedia consists of a five-volume Moon Archive: a personal response to reaching the Moon, drawing on literature, geography, film, astronomy, and science. There is a fine line between art and science, although we know that both, at root, are governed by the same principle: wonder, or asombro in Spanish, a word that leads us back to the act of emerging from the darkness, exposure to the light. To look with puzzlement. To imagine. The Moon is a mystery, as are the remarks of Leibniz, the alphabet, what Marco Polo saw on his travels, gravity, the broken nose in a likeness of a Greek ephebe, the slow and persistent growth of ferns, and death. The Moon Archive I’m presenting today is the result of a wandering journey through those distant regions that have existed in our imaginations since long before the invention of language. A collection of intervened old maps, photos, testimonies, and essays; a series of information that attests, like every compendium, to the impossibility of gathering anything but a fistful of sand.

The second time the artist Alexandra Germán visited the National Meteorological Service, she could see the displaced instruments on the roof of the old archbishop's building. One of them stood out for its uniqueness; it looked like a crystal ball to guess the future that had survived the passage of time. This, the heliograph, registers the light hours during the day, refracting the sun's rays on a strip of German paper as a magnifying glass so that as the hours go by, it gradually carbonizes, leaving a continuous line. This series of skies correspond to the days on which the light hour measurements were taken, in which the artist intervenes in the photographs in a similar way to the way the heliograph would do on the strips of paper.