Ha’s artistic process involves capturing on canvas the meaningful moments with her children and overlapping them with the chain of her memories. Beyond just the visual, these moments further evoke multiple senses sourced in her memories of sunlight and the wind to such sounds of jujubes falling—coming all to life on the artist’s canvas.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.

For Ha, “the beautiful moments of life and its pieces are finite and as such no longer exists—embracing me with a powerful sense of sadness and fear.” However, these seemingly forgotten memories are rediscovered, vividly etched as traces of Ha’s “play”. Ultimately, these “countless finite moments come to life on canvas, forever and indefinitely” as accumulated memories through the creative acts of her drawing.